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WHAT'S NEW

The Munster Literature Centre is pleased to annouonce the 2013 winner of The Gregory O’Donoghue International Poetry Prize for a single poem (€1,000 and publication in Southword Literary Journal, along with travel costs, hotel accommodation and meals during the Cork Spring Poetry Festival).

1st Prize for “The Conversation” is awarded to Judith Barrington of Oregon, USA.

http://www.munsterlit.ie/Southword/Issues/23A/barrington_judith.html

Judge Thomas McCarthy writes:

A winter migration of nearly two thousand poems, arriving by email and regular post, gives one the opportunity to see the world working and meditating. More than half of all the poems submitted were of a high enough quality to be published. No editor would be ashamed to stand over them and be their public advocate.  There were poems about wildlife, the sea, travel, deserts and mountains, fathers (fathers feature more than mothers), parents in nursing homes or surviving cancer, recession, politics and sport.  But the recurring motif than runs through much of this poetry is that of attachment and subsequent separation. Attachment, to lovers, fathers and places, was an overwhelming theme; or, more specifically, an overwhelming anxiety. Nearly all of the winning and Highly Commended poems share this communal poetic enquiry into our one great contemporary existentialist crisis: the difficulty of attachment in a world that has lost the great Father.

My winning poem ‘The Conversation’ carries this anxiety into its most extreme exposition. Here, the narrator is beyond life but yearning to complete unfinished business in a world abandoned. Human life is presented in all its ordinariness within the parentheses of Frost and Lorca, cleverly invited as Father-witnesses. This is a poem that has made a wide clearing for itself, slow-burning and attaching itself more compellingly to us at each rereading. Here, the dead, the ones ‘lost for language’, may never return to familiar and familial attachments. Upon rereading, one sees that it is the world and its capacity for attachment and disappointment that ‘has kept the words that belong in that talk/ stuffed inside my mouth which is firmly closed/ like my eyes.’  The entire poem with its four robust stanzas and one orphaned line coheres as a single thought. This is a brilliant technical achievement; it reminds us all that great poetry is both fine thinking and achieved style. The narrator describes and teaches, telling us that death – and death in life – is ‘too late now for that conversation we never had’ – We can’t leave ‘The Conversation’ without becoming implicated in its anxieties. Technically, this is a mindful, thoughtful, calculated and superbly pre-meditated work. I have no hesitation – dare I say it, no anxiety? – in advocating it as my winning poem for the Gregory O’Donoghue Prize.


NEW IN PRINT

Two poems, "No one to Tend the Grave" and "The Seventies Reminisce," in Cirque: A Literary Journal for the North Pacific Rim

A poem, "Japanese Garden, Oregon," in Catamaran Literary Reader

NEW ON THE WEB

A memoir (excerpt from Mad Heart, the book-length memoir I’m working on) published under the title: “An Aristocratic Murder” in 1966: A Journal of Creative Nonfiction

Personal Essay in Hospital Drive about living with genetic diseases.

A chapter from Mad Heart, a memoir in progress, published in Mary. Click here.

After D-Day, long narrative poem published in three parts by Best Poem Journal. Part One. Part Two. Part Three.

Appreciative reader and writing teacher Molly O'Neill (memoirist and former New York Times writer) recommends Writing the Memoir. Click here.

Poem on Life In 100 Words or Less click here.

Poetry.us.com click here

Oregon Authors click here

Oregon ArtBeat, Poetry in Motion, Oregon Public Broadcasting click here


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